Seeing the world as more than a backdrop or stage-set for unfolding narratives is the basic premise of landscape painting. It requires sensation rather than symbol to be the dominant motive. This is at odds with the corrosive didacticism of much academic art which looks for the obvious moral in every artwork. The recently set up Hadley’s Art Prize – a $100,000 prize for an Australian landscape painting, is a case in point. It has been called a landscape prize when what they really require is history painting, and a certain kind of history at that.
Hobart hotel owner Don Neil has launched one of Australia’s richest art prizes, with an annual $100,000 award for landscapes…. and this year invites artists to address the theme “history and place”.
Artist and curator Julie Gough, who is one of the judges, says the award encourages artists to think beyond European concepts of landscape as depictions of sublime nature. “History is about story, and the entrants have to consider that as much as things such as vegetation and landforms,” says Gough. “It will be interesting to see how people push that theme.”
The Australian 27th Jan 2017
And here is Ben Quilty, judging the 2017 Glover Prize for Australian landscape painting and commenting: [Read more…]