The curators at ACCA need to get out more. Painting, more painting, purportedly an overview of contemporary Australian painting, constructs a narrative not about painting but about power in our publicly funded galleries.
This curatorial high priesthood has put together their version of the canon, and it’s a very narrow one. The unrepresentative swill (with thanks to P. Keating) exhibited in Painting, more painting is the result. Predictably, like the joke about Catholics in heaven, the conceptualists are pretending that there is no one else here. This narrative hegemony amounts to a concealment of the real status of painting – tantamount to government censorship.
